Cima da ConeglianoItalian , 1459 - 1517MADONNA AND CHILD IN A LANDSCAPE1496 -99 ,  cover on panelThomas  hart BentonAmeri screwing , 1885-1975SPRING ON THE MISSOURIOil on Masonite 1COMPARE AND CONTRASTA Study on the similarities and differences of bloody shame and Child in a  landscape by Cima da Conegliano and Spring in Missouri by Thomas Hart Benton 2bloody shame and Child in a Landscape by Cima da ConeglianoGiovanni Paolo Cima was among the  approximately important Italian                                                                                                                                                         instrumental composers from the early-17th century and is  slackly  recognized as initiatory among the Milanese contingent . His 1610  line of battle , Concerti ecclesiastici , contains  kit and caboodle that  are among the earliest surviving prototypes of solo sonatas and  triple sonatasCima appears to have lived his  inherent life in Milan and its vicinity thou   gh he  likely traveled to Rome and Venice , and perhaps to   otherwise(a) major Italian cities .  natural around 1570 , probably into  brotherly circumstances he  undoubtedly received good  teaching and must have  create a  remarkable  natural endowment as a keyboard player that had become widely recognized during teens or at least by his adult  days . Indeed , he was appointed to the prestigious post of organist at San  female  dollar presso San Celso Church in 1595 , when he was  more or less  xxv  years oldCima was fairly active as a composer throughout his  f get away : his first collection of works appeared in 1599 and contained motets for  four voices . A second publication followed in 1606 , this one including ricercars and canzonas . The  aforementioned(prenominal) Concerti ecclesiastici probably his most important effort , contained a  mixture of instrumental and  inviolate vocal works . He produced other compositions that were scattered about in various publications from 1   598 to 1626 .

 Among the more  significant of these were the vocal works that appearedin Angleria s important collection from 1622 , Regola del Contrapunto 3While Cima remained active as a composer at least until 1626 , his work at San Maria continued  righteousness up to his passing from the horrendous 1630  arouse that spread the  dreaded `black death  throughout Milan and Italy .Cima s Madonna and Child exemplifies  troika related characteristics of Venetian  flick of the  spicy Renaissance : the  involution of the oil  strength , a remarkable sensitivity for light , and a profound affinity for  ornament painting .  with mastery of the oil medium Cima capture   s in his paintings the ethereal calibre of the light that suffuses the countryside around his birthplace of Conegliano ,  placed some 40 miles north of Venice . The refinement of his technique can also be seen in the exquisite modeling of the heads of the  dickens figures and in the  exquisite  explanation of the Madonna s headdressCima was among the generation of artists who ushered in the Golden  progress of Venetian painting , which was distinguished by three  well linked qualities : the exploration and refinement of the oil HYPERLINK JavaScript :OpenGlossaryWindow 22334 22   medium , a remarkable sensitivity for rendering light , and a particular interest in HYPERLINK JavaScript :OpenGlossaryWindow 22223 22   landscape painting . All three qualities are...If you want to  bulge a  liberal essay, order it on our website: 
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