William Wordsworth, through his many great poetic works, has come to be known, amongst many other things, as the forerunner of nature metrical composition. He feels an mention connection with the natural world, and is not merely an beholder of it, moreover an active participant in it, as a great deal of his poetry focuses on the interconnectedness of man and nature, and the intricate kinship they share. Wordsworths backbone of place primarily extends to large-scale natural settings; macrocosms much(prenominal) as estate of the realmscapes, and also often pays much tending to the elements partakeing on them. However, the critical description of natural settings is seldom Wordsworths merely purpose. He is more often than not concerned with natures impact on the gentle condition and psyche, and traces a variety of human responses to the natural world. Whereas Wordsworth strolled through the scenery, continuously idea of ways in which he could describe and relate th e incumbrance that the aesthetic had on him, John Clare, on the other hand, only when sat and spy nature, creating his poetry purely out of what he perceived. Clare is content with nature as it is (Keith, 1980), and significantly ignores all the poems dramatizing a human encounter with the natural world, much(prenominal) as the kind that Wordsworth prides himself upon.

Clare describes the microcosm as he sees it, focusing on the beautiful details in nature that Wordsworth either overlooks or excludes. If two men had such a profound deal for nature, why is it then that their individual sense of place is so vastly different? Clare grew up as a peasa! nt in Northhamptonshire, humbly working(a) and living on the same land that his poetry is establish on. Wordsworth on the other hand was of a far higher(prenominal) social class, and although he too had a profound love for nature, could never experience its delicacies as... If you want to get going a full essay, order it on our website:
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